A QUICK LOOK >
CURRICULUM VITAE
EDUCATION
EXHIBITIONS
PUBLICATIONS
WORK
EXPERIENCE
CONFERENCE
PRESENTATIONS
CITATIONS
PUBLIC
ART AND PUBLIC LECTURES
COLLECTIONS
SERVICE
Home
Address
815 E.
Dunklin Street
Jefferson
City, Missouri 65101
(573)
645-7131 Telephone
(573)
636-0660 FAX
email: awh@homegirlinc.com
webpage:
http://www.Homegirlinc.com
Office
Address
A-126
Fine Arts Center
University
of Missouri-Columbia Columbia, Missouri 65211-6090
(573)
882-4547 Office
email: Hoarda@missouri.edu
webpage:
http://www.missouri.edu/~hoarda
ARTIST'S STATEMENT
As an artist, it has been a deeply meaningful experience for me, since 1996, to witness the Ndzundza Ndebele of South Africa, an indigenous nation of women artists, who are proceeding through the doorway of cultural evolution, with each present day displaying elements of 21st century life alongside elements from their historic past. I feel because I came to these women and their families, as just another woman artist of color, who expresses life abstractly, they have guided me into seeing their life their way, and blessed my endeavors with their friendship and support. My coalition with the late Ndebele sovereign, King Mayitjha (Mayisha)III, was consistent inspiration for my annual documentation of their powerful ritual presence in post-apartheid South Africa. I pray that my photographs and writing give each viewer cultural insights and a sense of relationship with a traditional creative people.
Back to exhibits, which have been generously Sponsored in part by funding and grants from UMSAEP [University of Missouri South African Education Partnership], UNISA [University of South Africa], University of Missouri Research Board, Southern University Department of Visual and Performing Arts Faculty and Students, Louisiana Division of the Arts, the Arts Council of Baton Rouge, BAND [Black African National Diaspora] Museum of New Orleans, the Missouri River Regional Library, University of California at Santa Cruz Oakes College, National Coalition of 100 Black Women (Sacramento, California Chapter), the Links, Inc.(Sacramento, California Chapter, Arts Facet), Hewlett Packard, Inc. of South Africa, Walter H. Sanderson, founder of Sanderson Industries, Inc. (Atlanta/Chicago), and the Pretoria Art Museum of South Africa.
EDUCATION TOP
1986 Ed.D., University of Illinois, Urbana-Champaign, Dissertation Title "Art Trained and Non-Art Trained Subjects' Classifications and Evaluations of Visual Structure in Nonobjective Art."
1972 M.F.A., University of Michigan, Ann Arbor, Painting / 2-Dimensional Design
1970 B.S., Lincoln University, Jefferson City, Missouri, Art Design / Education, Cum Laude
1966-1968 Attended Northwestern University, Evanston, Illinois
HONORS, GRANTS, AWARDS (SELECTED) UMSAEP, University of Missouri South African Education Partnership, 2000, Faculty Grant to Conduct Research in South Africa as a Visiting Professor at UNISA (University of South Africa), Pretoria Missouri University International Center, 1998, New Initiatives Faculty Grant to Conduct Research in South Africa as a Visiting Professor at UNISA (University of South Africa), Pretoria
Faculty Research Leave, 1993-94, Provost's Office and the Research Council, Missouri University - In Search of the Cosmic Shape, One year paid leave to create shaped canvas paintings in Italy.
Louisiana State Department of Education, 1987 & 1988, VERY SPECIAL ARTS/Louisiana Resource Grant to Direct and Conduct Summer Arts Institute, "Teaching Arts for Exceptional Children."
Ford Foundation Postdoctoral Fellowship in Painting, Senior Level, National Research Council, 1985-86, Northwestern University, Host Institution
Kappa Delta Pi, Honor Society in Education, 1983
Fulbright-Hays Scholar in Creative Arts 1980-1981, Seoul, Korea
Faculty Research/Development Quarter Grant, Spring 1978, College of Humanities & the Graduate School, The Ohio State University - Afro-Carolinian and Afro-Georgian Decorative Arts, Research field trip, supplies and quarter paid leave to Georgia, South Carolina and the Sea Islands.
EXHIBITIONS (SELECTED) Juried* TOP
2000- Savannah State University, GA, Black Heritage Festival, International Invitational Show
1999- Howard University, Washington, D.C., Juried International Show, "Black Women in the Academy II"*
1998- Hammond House Galleries, Atlanta, GA, National ArtistsÕs Auction, Juried Invitational Group Show*
1998- The Atrium Gallery at the Lombardi Center, Georgetown University, Washington D.C., One Person Show*
1998- Bruce R. Watkins Cultural Center, Kansas City, MO, One Person Retrospective Show*
1997- Margaret Harwell Museum, Poplar Bluff, MO, African Odyssey, Two Person Show
1996- Lincoln University, Jefferson City, MO, Soweto to Salvador: Paintings and Photography, One Person Show
1994- Hotel Park Palace, Florence, Italy, Etruscan Voyage, One Person Show*
1991- Fontbonne College Gallery, St. Louis, MO, Cosmic Movements, One Person Show*
1989- Manhattan East Gallery of Fine Arts, New York City,Women in Color, International Group Show
1988- Dillard University, New Orleans, LA, Will Alexander Library, Two-Person Show
1986- Louisiana State University, Baton Rouge, LA, Union Gallery, Faculty Show
1986- Evanston Art Center, Illinois, Group Show
1985- The Women's Bank, New York City, Cinque Gallery, Group Show
1984- Nexus Galleries, Inc., Atlanta, Group Show
1983- Ralston Purina, Corporate Headquarters, St. Louis, Featured Artist of Group Show
1982- The Schomburg Collection, New York City, Group Show of Recent Acquisitions
1981- Forever Free, Travelling Group Show*
1981- American Embassy, Seoul, Korea, One Person Show 1980- Shelton Gallery, New York City, One Person Show
1977- The Studio Museum in Harlem, New York City, One Person Show*
1977- Rockefeller Center, Inc., Time-Life Building, New York City, Group Show
1976- Artforce Gallery, Columbus, OH, One Person Show
1974- The Brooklyn Museum, New York, Group Show
1971- The Detroit Institute of Art, Detroit, Group Show
PUBLICATIONS (SELECTED) TOP
Hoard, Adrienne W. A Review of The Woman with the Artistic Brush: A Life History of Yoruba Batik Artist Nike Davies. PALARA, Publication of the Afro-Latin/American Research Association, No. 2, Fall 1998, pp. 103-107. (Refereed)
Hoard, Adrienne W. The role of ÔSelf and OtherÕ in developing a theorectical base for the concept of infusion in a multicultural model, USSEA Symposium Proceedings: Beyond the Traditional in Art - Facing a Pluralistic Society, (1998), pp. 77-83 [United States Society for Education through Art] (with Frye and Kantner). (Refereed) Ê
Hoard, Adrienne W. A Review of Voices of Color: Art and Society in the Americas. Journal of Multicultural and Cross-cultural Research in Art Education, Vol. 15, 1997, pp. 107-113. (Refereed)
Hoard, Adrienne W. CRC 2079, Works by Allen Brings and Leo Kraft, (1992) Compact Disc Cover Painting - "Cosmic Splash" Centaur Records, Inc. (Juried Contract)
Hoard, Adrienne W. CRC 2100, Cirri by Jan Beran (1991) Compact Disc Cover Painting - "Calm Center" Centaur Records, Inc. (Juried Contract)
Hoard, Adrienne W. The Black Aesthetic: An Empirical Feeling. Chapter 11, in B. Young (Ed.), (1990) Art, Culture and Ethnicity: An Anthology. Reston, VA: National Art Education Association, p.155-168. (Refereed)
Hoard, Adrienne W. Treatise on Creativity, (1988) Gifted and Talented Digest, January - March 1988,Vol. 15, No. 1, p. 14-15. (Refereed)
Hoard, Adrienne W. The Vision That Was Once a Reality - The Art of Brenda Lynn Robinson. (1979) Mahogany Magazine, Vol. 2, No. 25, May 6, 1979, p. 16. (Refereed)
Hoard, Adrienne W. Frederick D. Bell, Black Classical Composer. (1974-75) Black Creation Magazine, Vol. 6, No. 4, ARTS ANNUAL, December 1974, p. 42-43. New York: New York University Press. (Refereed)
WORK EXPERIENCE TOP
University of Missouri-Columbia, Department of Art and Department of Curriculum Instruction 8/88-Present, Associate Professor: Tenured
Louisiana State University, Baton Rouge, School of Art, 8/85-6/88, Associate Professor, Art Education, Art Ed. Area Director (87-88); College Coordinator, Student Teacher Clinical Experiences
Northwestern University, Department of Art Theory and Practice 8/85-7/86, Visiting Associate Professor.
The University of Illinois, Urbana-Champaign, College of Education 9/82-5/85, Art Teacher. University Laboratory High School for Gifted and Talented Students; Grades 7 through 12
The University of Illinois, Urbana-Champaign School of Architecture 9/81-5/82, Graduate Teaching Associate for Basic Design and Color Theory; and Watercolor.
Hong-Ik University, Seoul, Korea Department of Western Oil Painting 9/80-2/81, Visiting Professor, Fulbright-Hays Lecturer, Teaching: Advanced Western Painting.
Ewha Women's University, Seoul, Korea Department of Decorative Arts 2/81-7/81, Visiting Professor, Fulbright-Hays Lecturer, Teaching: Basic Design and Color Theory.
Korean Educational Development Institute, Seoul, Korea, Division of English Language Educational Broadcasting (T.V.) 9/80-7/81, Color Consultant, Fulbright-Hays Visiting Artist Ê
The Ohio State University, Columbus, Department of Fine Arts and Department of Black Studies 9/75-6/81, Assistant Professor
The Brooklyn Museum, New York, Division of Interpretation: Education Department 10/73-7/75,Head, Adult Education Program; Researcher/Instructor, Jennie Simpson Collection of African Art
New York-Phoenix School of Design, New York City, Division of Drawing and Painting 9/73-1/74,Instructor
The University of Arkansas at Pine Bluff, Department of Art 9/72-8/73, Assistant Professor Ê
CONFERENCE PRESENTATIONS (SELECTED) Invited* TOP
Women Warriors: Cultural Guardians of the Ndebele, A South African Society in Transition, Afro-Latin/American Research Association, International Conference, Port-au-Prince, Haiti, 2000. (Juried Presentation) Ê
The Gate Mothers Series of Paintings: A Ritual Progression to Crone, Black Women in the Academy II International Conference, Washington, D.C., 1999. (Juried Presentation) Ê
The Gate Mothers: Ritual Altars in the African Diaspora, Afro-Latin/American Research Association, International Conference, Santo Domingo, Republic of Dominicana, 1998. (Juried Presentation) Ê
The Ensemble of a True American Identity, South African Architecture and Art History Association, National Conference, Pretoria, South Africa, 1998. (Juried Presentation)
Voices from the Choir: Art and Artists of the Americas, National Art Education Association, National 	Conference, Chicago, 1998. (Juried Presentation)
Soul Aesthetic: A Cross-Cultural Event, Afro-Latin/American Research Association, International
Conference, Salvador, Bahia, BRAZIL, 1996. (Juried Presentation) Dispatch Diversity, Missouri Arts Education Task Force, State Conference, St. Louis, MO 1993.*
The Role of SELF and OTHER in developing a Theoretical Base for the Concept of Infusion in a Multicultural Model, National Art Education Association, National Conference, Phoenix, AZ, 1992; and United States Society for Education through the Arts, International Symposium, Columbus, OH, 1991.
Feminine Perceptions of Empowering Images of Women, National Art Education Association, National Conference, Kansas City, MO 1990. (Juried Presentation)
Messages from Our Children: The Value and Meaning in Child Art, Association for Gifted and Talented Students, State Conference, Baton Rouge, LA, 1990. *
The Black Aesthetic: An Empirical Feeling, The III International Symposium on Art Teaching and Its History, City University, Sao Paulo, BRAZIL, 1989. *
Visual Arts and the Exceptional Student, Louisiana State Department of Education 8th Annual Super Conference on Special Education, Lafayette, LA, 1988. *
Perspectives on Tenure and Career Development, Co-Facilitator. Ford Foundation Fellows National Conference, Washington, D.C., 1986. *
The Perception of Visual Structure Within Non-Objective Art: A Classification Study; and Strategies for Teaching Art to Gifted Students, National Art Education Association, National Conference, Dallas, TX, 1985.
Identifying African Sources in Afro-American Art, American Art History Association Mideast Regional Conference, Columbus, OH 1980. (Juried Presentation)
Ethnic Issues in Art, Panel Member. College Art Association of America, National Conference, Chicago, IL, 1976. *
The Direction of Art and the Afro-American Contribution, Lehman College Arts Symposium, Bronx, New York,1975. *
CITATIONS (SELECTED) TOP
LEVINSON, ARLENE The Great Divide: Historically Black Institutions and the Growing White Student Population, Associated Press News Story, 12-20 December 1999 and 12 February 2000. Printed in 19 American Newspapers, quoted.
JNR, MOSHOESHOE MONARE US prof calls for multiculturalism lessons in SA, Pretoria News, Tuesday, July 21, 1998, p. 11.
CARLSON, KRISTY Dance of Innocence is included in an Adrienne W. Hoard retrospective at Georgetown University(with photo), The Washington Times, Washington WEEKEND, May 14, 1998. p. M17.
HICKS, ANDREW MU hopes to boost diversity, Columbia Missourian, Monday, April 6, 1998, front page quoted with photo.
MILLS, ALICE R. La femme noire americaine: Aspects dÕune crist identitŽ . Caen Cedrex, France: Presses Universitares de Caen, 1997. Cover painting and p. 4.
KING-HAMMOND, L. Gumbo Ya Ya: Anthology of Contemporary African-American Women Artists. New York: Midmarch Arts Press, 1995, p. 105-106. DUFFY, ROBERT W. Hoard Abstractions Explore Personal, Cosmic. St. Louis Post/Dispatch, Sunday, December, 1991, p. 8e.
CEMBALEST, ROBIN Goodbye, Columbus? ARTnews, Vol. 90, No. 8, October 1991, p. 104-109, quoted.
LEWIS, SAMELLA	 Art African American, Los Angeles: Hancraft Studios, 1990, p. 189-190.
GREEN, ROBERT Adrienne W. Hoard: An Associate Professor of Art Education Mixes Abstract Pastels and the Psychology of Aesthetics. The LSU Magazine, November 1986, Vol. 62, No. 5, p. 11. IGOE,
LYNN MOODY and JAMES 250 Years of Afro-American Art. New York and London: R. R. Bowker and Co., 1981, p. 751-752.
HONG, SON-HEE Abstractionist Busy in Korea, The Korea Times, January 30, 1981, p. 4.
PORONER, PALMER Geometry - the Tradition, the Reality, the Future?, Artspeak, April 24, 1980, p. 4.
JOHNSON, HERSHEL The New Generation and the Arts, Ebony Magazine (August 1978), Vol. 33, No. 10, p. 148-51.
FISKE, EDWARD B. Black Studies Mark Gains But Seek Wider Role, The New York Times, June 19, 1977, p. 38.
DRISKELL, DAVID C. Art by Blacks: Its Vital Role in U.S. Culture, Smithsonian Magazine (October 1976), Vol. 7, No. 7, p. 86-93.
HAKANSON, JOY On Art in Detroit: Hoard-Taylor Exhibition, The Detroit News, June 25, 1972, p. 4-E.
PUBLIC ART AND PUBLIC LECTURES (SELECTED) TOP
National Benevolent Association, St. Louis, MO, "Ndebele: Women in the Stream of Change." February 1999.
African American Institute, Johannesburg, South Africa, Ndebele: Do the Walls Still Speak?, July 1998
Radio KPRS, Kansas City, MO, Kansas City Scene, March 1998. Program for Excellence in Teaching, University of Missouri-Columbia, Developing a Multicultural Attitude, September 1997
Nelson-Atkins Museum of Art, Kansas City, MO, Atlantic Decisions: The Art of Henry O. Tanner, March 1997
LPB-TV, Statewide Broadcast, Louisiana, Folks, May through October 1988
Cablevision, Channel 24, Chicago, Perspective on Black Art, February 1986
"UNITY" Mural, The Ohio State University Black Studies Community Extension Center, Columbus; Dedicated November, 1983; Six 8 x 8Õ and 4 x 8Õ Painted Wooden Panels. Solo Designer; Executed with Art Student Assistants
Warner Cable, Q.U.B.E. - T.V., Columbus Alive, February and April 1978
Radio WNYC, New York City, New York Now, September 1977
"WITH THE PEOPLES OF THE WORLD, WE ADVANCE" Mural, First A.M.E. Zion Church, Columbus, Ohio; Dedicated January 1977; 14 x 28Õ Acrylic on Canvas. Contracted [Principle] Designer of 4-Person Team
COLLECTIONS (SELECTED) TOP
Public Schomburg Center for Research in Black Culture, New York City
Columbus Museum, Columbus, Ohio
Korean National Museum of Modern Art, Seoul, Korea
Compulink International, Inc., Rolling Meadows, Illinois
MCA Record Corporation, Los Angeles, California
SERVICE (SELECTED) TOP
National:	 Journal of Gender Issues in Art and Education, Editorial Board, 2000-2003
Missouri Arts Council, State Dance Review Panel Member, 1999-2001
Heart of Missouri Girl Scout Council, Board of Directors, 2nd Vice President for Fund Development, 1995-1997
COMC, The Committee on Multiethnic Concerns (an affiliate of The National Art Education Association); Chairperson and Executive Board Member, 1990-1992
INSEA-USSEA (International Society on Education through the Arts; United States Society on Education through the 		Arts), Missouri Art Education Association, State Representative 1988-90
Journal of Multicultural and Cross-cultural Research in Art Education, Editorial Board, 1992-1993
JUROR, Lake Mary/Heathrow Festival of the Arts, Heathrow, Florida 1988
JUROR, Atlanta Arts Festival, Artists' Market, Atlanta, Georgia 1988 Ê
research | exhibits | art: fine | about | contact | online merchandise
